It is conceived on exactly the same Brechtian filmed-theatre basis as the first film Dogville, acted out on a sound-stage with streets and buildings represented by floor markings. He does this in Manderlay by implying not merely that America's white liberal condescension is just a new form of slave-mastery but also that black Americans are complicit in their own oppression. Nobody, but nobody, in the history of the world, has ever cared less about the American slaves than our snickering maestro Von Trier.Īs ever, his mission is to vex and embarrass the United States. And after watching this mischievous, ingenious film, one fact shines out. (Try doing some cartoons about Islam, Lars!) Here is the second film in his projected Dogville trilogy about the headstrong daughter of a 1930s gangster, a role Bryce Dallas Howard has now taken over from Nicole Kidman. ![]() H e's back, that maverick madcap from Denmark: Lars von Trier, intent on annoying us all.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
June 2023
Categories |